Nobre Marlos (1939)
Brasil / More info in Enciclopedia de la Guitarra
Composer, conductor and pianist, was born in Recife.
English
The Brazilian composer Marlos Nobre was born in Recife, Pernambuco, in February 18, 1939. He studied piano and music theory at the Conservatory of Music of Pernambuco (1948-1959), and Composition with H.J.Koellreutter and Camargo Guarnieri (1960-1962). Further,with a schorlarship from the Rockefeller Foundation, he followed advanced studies at the Latin American Center in Buenos Aires, with Ginastera, Messiaen, Malipiero, Copland and Dallapiccola (1963-1964). He worked also with Alexander Goehr and Gunther Schuller at the Berkshire Music Center in Tanglewood (1969) where he meet also Leonard Bernstein. The same year he studied electronic music at the Columbia-Princeton Electronic Music Center in New York.
He received numerous prizes among them the First Prize at the following Composers Competitions: Music and Musicians of Brazil, Rio de Janeiro (1960); Broadcasting Music Inc. Award, New York, USA (1961); The Brazilian Song Contest, Rio de Janeiro (1962); Ernesto Nazareth National Competition,Brazilian Academy of Music, Rio de Janeiro (1963); National Composers Contest, Federal University of Rio de Janeiro (1963); Torcuato Di Tella Award, Buenos Aires (1963); City of Santos Contest, São Paulo (1966); the UNESCO Prize, Paris (1974); the I TRIMALCA/UNESCO Prize, Colombia (1979).
He participated in many international Festivals, such as: the IV and VI Biennale of Paris (1965 and 1969); the ISCM Festival “World Music Days” in London (1970),Helsinki (1978) and Amsterdam (1985); the Musik Protokoll in Graz (1974 and 1987); the XIX Festival Autumm in Warsow (1975); the Festival of America and Spain, Madrid (1967 and 1970); the Interamerican Music Festival in Washington (1968,1974,1982,1985,1986); the X Diorama of Contemporary Music in Geneve, Switzerland (1973); the Festival of Maracaibo, Venezuela (1977); the Festival “Music of Our Time”, Indiana University, USA (1981); the EXPO “Weltkulturen und Moderne Kunst”, Munich, Germany (1972); the Festival Pablo Casals in Puerto Rico (1974); the Festival “Musicultura” in Amsterdam, Holland (1979); the First International Festival of Contemporary Music in La Habana, Cuba (1984); the International Forum of New Music in Mexico City (1984 to 2000); Sounds of the Americas: Brazil, Carnegie Hall, New York, with the American Composers Orchestra (1996); 22° International Gulbenkian Festival of Contemporary Music, Lisboa, Portugal (1998); IX International of Contemporary Music, Bucarest, Romenia (1999); II Latin American Music Festival, Texas Christian University, USA (2000); the Bayreuth Festival of Young Music, Bayreuth, Germany (2000 and 2001).
He received several commissionsd from the following institutions: Brazilian Dance Company, Rio de Janeiro (1968); Brazilian Broadcasting Service, Rio (1967); Goethe Institut, Munich, Germany (1972); Brazilian Symphony Orchestra, Rio (1973); Guitar Society of Toronto, Canada (1977); Radio MEC Brazil (1977); Maracaibo Music Festival, Venezuela (1977); the Indiana University, USA (1981); Corpozulia Oil Company of Venezuela for the Bicentennial of Simon Bolivar (1982); the Neuchâtel Chamber Orcehstra, Switzerland (1969); Radio Suisse Romande, Geneve (1983); Sala Cecilia Meireles, Rio (1989); XV International Festival in Bolzano, Italy (1989); Ministry of Culture in Spain for the 500° Anniversary of the Discover of America, Madrid (1992); GHA Records Belgium (1995);Brothers Maristas of Brazil (1997); Carlos Gomes Foundation, Belem, Brazil (1999); the Free University of Music of São Paulo (1999); the Apollon Foundation in Bremen, Germany (2000 and 2001).
He was composer-in-residence at the Brahms-Haus in Baden-Baden invited by the Brahms Society, Germany (1980-1981); in Berlin, invited by DAAD, Deutscher Akademischer Austauschdienst, Gewrmany (1982-1983); in New York with a Guggenheim Fellowship (1985-1986).
He was Visiting Professor at the Universities of Indiana (1981), Yale (1992), Juilliard School of New York (1996), Arizona and Oklahoma (1997) all in U.S.A.
He was member of the international jury of several international competitions, such as: Reine-Mrie-José Prize, Geneve (1978); ISCM Festival (New York, 1976 and Montreal, 1983); ANCONA Prize, Italy (1981 and 1983);International Guitar Competition, Radio France, Paris (1979 and 1980);Simon Bolivar Prize, Caracas, Venezuela (1982); Music-Film Rostrum/UNESCO,Germany (1980); Santander International Piano Competition, Spain (1987); the Arthur Rubinstein Piano Master Competition, Israel (1989); Cità di Alessandria Prize, Italy (1997/1999).
He is also very active as pianist and conductor, having performed and conducted with several orchestras: Suisse Romande Orchestra, Geneve;Collegium Academicum, Switzerland; Buenos Aires Philharmonic Orchestra at Teatro Colón; SODRE Orchestra of Montevideo, Uruguay; the National Orchestras of Portugal, Spain, Mexico, Venezuela, Peru, Guatemala and all Brazilian Orchestra; the Royal Philharmonic Orchestra, London;Philharmonic of Nice,France.
He was Music Director of the Radio MEC and the National Symphony Orchestra (1971 to 1976); the First Director of the National Institute of Music at FUNARTE (1976 to 1979); the President of the Brazilian Academy of Music (1985 to 1995). The President of the International Music Council of UNESCO (1986/1987).
At the present he is the President of the National Music Committee of IMC/UNESCO; the Director of Contemporary Music Programs at Radio MEC-FM of Brazil; the President of “Jeunesses Musicales” of Brazil and the President of the Musica Nova Editions of Brazil.
He was Guest Composer at the Universities of Georgia, Athens, USA (1999) and the Texas Christian University, USA (1999).
He received the following Decorations: Cultural Merit Gold Medal of Pernambuco (1978); Great Official of the Order of Merit of Brasilia (1988); Official of the Order of Rio Branco of the Itamaraty, Brazil (1989); Official of the Order of Arts and Letters of France (1994); Gold Medal of Merit of the Joaquim Nabuco Foundation of Pernambuco (1999).
He received recently the highest academic awards from the Texas Christian University the “Cecil and Ida Green Honors Professor” (2000) and from the Indiana University the “Thomas Hart Benton Medallion” (2000).
Web: http://marlosnobre.sites.uol.com.br/biografia_i.html
He received numerous prizes among them the First Prize at the following Composers Competitions: Music and Musicians of Brazil, Rio de Janeiro (1960); Broadcasting Music Inc. Award, New York, USA (1961); The Brazilian Song Contest, Rio de Janeiro (1962); Ernesto Nazareth National Competition,Brazilian Academy of Music, Rio de Janeiro (1963); National Composers Contest, Federal University of Rio de Janeiro (1963); Torcuato Di Tella Award, Buenos Aires (1963); City of Santos Contest, São Paulo (1966); the UNESCO Prize, Paris (1974); the I TRIMALCA/UNESCO Prize, Colombia (1979).
He participated in many international Festivals, such as: the IV and VI Biennale of Paris (1965 and 1969); the ISCM Festival “World Music Days” in London (1970),Helsinki (1978) and Amsterdam (1985); the Musik Protokoll in Graz (1974 and 1987); the XIX Festival Autumm in Warsow (1975); the Festival of America and Spain, Madrid (1967 and 1970); the Interamerican Music Festival in Washington (1968,1974,1982,1985,1986); the X Diorama of Contemporary Music in Geneve, Switzerland (1973); the Festival of Maracaibo, Venezuela (1977); the Festival “Music of Our Time”, Indiana University, USA (1981); the EXPO “Weltkulturen und Moderne Kunst”, Munich, Germany (1972); the Festival Pablo Casals in Puerto Rico (1974); the Festival “Musicultura” in Amsterdam, Holland (1979); the First International Festival of Contemporary Music in La Habana, Cuba (1984); the International Forum of New Music in Mexico City (1984 to 2000); Sounds of the Americas: Brazil, Carnegie Hall, New York, with the American Composers Orchestra (1996); 22° International Gulbenkian Festival of Contemporary Music, Lisboa, Portugal (1998); IX International of Contemporary Music, Bucarest, Romenia (1999); II Latin American Music Festival, Texas Christian University, USA (2000); the Bayreuth Festival of Young Music, Bayreuth, Germany (2000 and 2001).
He received several commissionsd from the following institutions: Brazilian Dance Company, Rio de Janeiro (1968); Brazilian Broadcasting Service, Rio (1967); Goethe Institut, Munich, Germany (1972); Brazilian Symphony Orchestra, Rio (1973); Guitar Society of Toronto, Canada (1977); Radio MEC Brazil (1977); Maracaibo Music Festival, Venezuela (1977); the Indiana University, USA (1981); Corpozulia Oil Company of Venezuela for the Bicentennial of Simon Bolivar (1982); the Neuchâtel Chamber Orcehstra, Switzerland (1969); Radio Suisse Romande, Geneve (1983); Sala Cecilia Meireles, Rio (1989); XV International Festival in Bolzano, Italy (1989); Ministry of Culture in Spain for the 500° Anniversary of the Discover of America, Madrid (1992); GHA Records Belgium (1995);Brothers Maristas of Brazil (1997); Carlos Gomes Foundation, Belem, Brazil (1999); the Free University of Music of São Paulo (1999); the Apollon Foundation in Bremen, Germany (2000 and 2001).
He was composer-in-residence at the Brahms-Haus in Baden-Baden invited by the Brahms Society, Germany (1980-1981); in Berlin, invited by DAAD, Deutscher Akademischer Austauschdienst, Gewrmany (1982-1983); in New York with a Guggenheim Fellowship (1985-1986).
He was Visiting Professor at the Universities of Indiana (1981), Yale (1992), Juilliard School of New York (1996), Arizona and Oklahoma (1997) all in U.S.A.
He was member of the international jury of several international competitions, such as: Reine-Mrie-José Prize, Geneve (1978); ISCM Festival (New York, 1976 and Montreal, 1983); ANCONA Prize, Italy (1981 and 1983);International Guitar Competition, Radio France, Paris (1979 and 1980);Simon Bolivar Prize, Caracas, Venezuela (1982); Music-Film Rostrum/UNESCO,Germany (1980); Santander International Piano Competition, Spain (1987); the Arthur Rubinstein Piano Master Competition, Israel (1989); Cità di Alessandria Prize, Italy (1997/1999).
He is also very active as pianist and conductor, having performed and conducted with several orchestras: Suisse Romande Orchestra, Geneve;Collegium Academicum, Switzerland; Buenos Aires Philharmonic Orchestra at Teatro Colón; SODRE Orchestra of Montevideo, Uruguay; the National Orchestras of Portugal, Spain, Mexico, Venezuela, Peru, Guatemala and all Brazilian Orchestra; the Royal Philharmonic Orchestra, London;Philharmonic of Nice,France.
He was Music Director of the Radio MEC and the National Symphony Orchestra (1971 to 1976); the First Director of the National Institute of Music at FUNARTE (1976 to 1979); the President of the Brazilian Academy of Music (1985 to 1995). The President of the International Music Council of UNESCO (1986/1987).
At the present he is the President of the National Music Committee of IMC/UNESCO; the Director of Contemporary Music Programs at Radio MEC-FM of Brazil; the President of “Jeunesses Musicales” of Brazil and the President of the Musica Nova Editions of Brazil.
He was Guest Composer at the Universities of Georgia, Athens, USA (1999) and the Texas Christian University, USA (1999).
He received the following Decorations: Cultural Merit Gold Medal of Pernambuco (1978); Great Official of the Order of Merit of Brasilia (1988); Official of the Order of Rio Branco of the Itamaraty, Brazil (1989); Official of the Order of Arts and Letters of France (1994); Gold Medal of Merit of the Joaquim Nabuco Foundation of Pernambuco (1999).
He received recently the highest academic awards from the Texas Christian University the “Cecil and Ida Green Honors Professor” (2000) and from the Indiana University the “Thomas Hart Benton Medallion” (2000).
Web: http://marlosnobre.sites.uol.com.br/biografia_i.html
Español
Nació en Recife (Pernambuco) en cuyo conservatorio estudió música de (1948-1959). Posteriormente estudió harmonía y contrapunto com Jaime Diniz de (1956-1959) y composición com H.J.Koellreutter (1960) y el maestro Camargo Guarnieri (1962). Obtiene una beca de la Fundación Rockefeller, y realiza estudos avanzados de composición en el Centro Latino-Americano de Altos Estúdios Musicales del Instituto Torcuato Di Tella en Buenos Aires con Alberto Ginastera, Olivier Messiaen, Riccardo Malipiero, Aaron Copland e Luigi Dallapiccola (1963-1964). Por si aún no fuera suficiente, trabajó más la composición avanzada con Alexandre Goehr y Günther Schüller en el Berkshire Music Center de Tanglewood, USA (1969), en dónde conoció a Leonard Bernstein. Ese mismo año, aprovechando su estancia en Estados Unidos, estudia música eletrónica en el Centro de Música Eletrónica de Columbia-Princeton en Nueva York, con Wladimir Ussachevsky.
Pero si numerosos son sus estudios de especialización más aún lo son los premios que ha obtenido a lo largo de su carrera. En cuanto a la lista de conciertos, certámenes y festivales de renombre en los que ha participado tanto tocando como impartiendo clases magistrales es tan enorme que baste decir que ha estado en todos los de prestigio a lo largo de su dilatada carrera.
Ha sido compositor-residente de la Brahms-Haus de Baden-Baden, Alemania; en Berlin, en el DAAD “Deutscher Akademischer Austauschdfienst” de Alemania (1982-1983) y en Nueva York en la Guggenheim Fellowship 1985/1986). Ha sido profesor invitado de las Universidades americanas de Arizona y Oklahoma en 1997, y de las Universidades de Georgia, Athens (1999) e de la Texas Christian University, TCU,Texas (1999).
La lista de Festivales de los que ha sido jurado es tan larga que baste decir que ha estado en muchos de los más importantes.
Entre los cargos de dirección que ha ostentado, destacar los de Director del Instituto Nacional de Música da FUNARTE (1976-1979), Presidente del Consejo Internacional de Música de la UNESCO (1986-1987), Presidente de la Academia Brasileira de Música (1985-1993) y membro del Comitê Ejecutivo del CIM/UNESCO (1980-89).
Autor de un gran número de obras para Orquesta, de Cámara e Instrumental y Coral, destaca también con composiciones específicas para piano y para guitarra.
Es pieza clave en la música clásica brasileña de 2ª mitad de siglo y muy destacado en el panorama mundial de la composición de finales del siglo XX.
Web: http://www.clubguitarra.com/mnobre.htm
Pero si numerosos son sus estudios de especialización más aún lo son los premios que ha obtenido a lo largo de su carrera. En cuanto a la lista de conciertos, certámenes y festivales de renombre en los que ha participado tanto tocando como impartiendo clases magistrales es tan enorme que baste decir que ha estado en todos los de prestigio a lo largo de su dilatada carrera.
Ha sido compositor-residente de la Brahms-Haus de Baden-Baden, Alemania; en Berlin, en el DAAD “Deutscher Akademischer Austauschdfienst” de Alemania (1982-1983) y en Nueva York en la Guggenheim Fellowship 1985/1986). Ha sido profesor invitado de las Universidades americanas de Arizona y Oklahoma en 1997, y de las Universidades de Georgia, Athens (1999) e de la Texas Christian University, TCU,Texas (1999).
La lista de Festivales de los que ha sido jurado es tan larga que baste decir que ha estado en muchos de los más importantes.
Entre los cargos de dirección que ha ostentado, destacar los de Director del Instituto Nacional de Música da FUNARTE (1976-1979), Presidente del Consejo Internacional de Música de la UNESCO (1986-1987), Presidente de la Academia Brasileira de Música (1985-1993) y membro del Comitê Ejecutivo del CIM/UNESCO (1980-89).
Autor de un gran número de obras para Orquesta, de Cámara e Instrumental y Coral, destaca también con composiciones específicas para piano y para guitarra.
Es pieza clave en la música clásica brasileña de 2ª mitad de siglo y muy destacado en el panorama mundial de la composición de finales del siglo XX.
Web: http://www.clubguitarra.com/mnobre.htm
Composizioni (46)
Presente in antologie
- TWO CENTURIES OF GUITAR MUSIC — THREE BRAZILIAN DANCES Op.57