Three-time Grammy nominated American composer Miguel del Aguila was born 1957 in Montevideo, Uruguay. In more than 115 works that couple drama and driving rhythm with nostalgic nods to his South American roots, he has established himself as one of the most distinctive and highly regarded composers of his generation. His music has been performed by some 60 orchestras, by hundreds of ensembles and soloists, and recorded on 30 CDs.
Del Aguila’s training and early professional experience took place in both the U.S. and Europe. After graduating from the San Francisco Conservatory of Music he traveled to Vienna, where he studied at the Hochschule für Musik and Konservatorium. Early premieres of his works in Vienna’s Musikverein, Konzerthaus and Bösendorfer halls won him praise from audiences and press who described his music as “dancing with incendiary rhythms,” with “near to obsessive vitality” (Wiener Zeitung). While still living in Vienna, he introduced his piano works in New York’s Carnegie Recital Hall. Days later, Lukas Foss led the U.S. premiere of Hexen with the Brooklyn Philharmonic. CDs containing five of his works were released on KKM-Austria and Albany Records in 1989 and 1990.
Del Aguila returned to the U.S. in 1992, settling in the Los Angeles area. Soon thereafter the Los Angeles Times described him as “one of the West Coast's most promising and enterprising young composers”. He received the prestigious Kennedy Center Friedheim Award in 1995, and was music director of Ojai Camerata from 1996 to 1999. In the 1990s his works were first performed at Lincoln Center, London’s Royal Opera House, and in Moscow, Vienna, Zurich, Budapest, Prague, Tokyo, and Rome. From 2001 to 2004 del Aguila was Resident Composer at the Chautauqua Music Festival, where he performed as pianist, contributed new works, and wrote a weekly music column for the Chautauquan Daily.
In 2005 he began a two-year Composer in Residence position with the New Mexico Symphony Orchestra, made possible by a Meet the Composer/Music Alive Award. His residency culminated in the fully-staged premiere of his third opera Time and Again Barelas, commemorating Albuquerque’s tricentennial. He was honored with a Meet the Composer Magnum Opus/Kathryn Gould Award in 2008, resulting in the orchestral tone poem The Fall of Cuzco, which has been performed by The Buffalo Philharmonic, and by Nashville, Virginia, Sao Paulo State, and Winnipeg symphony orchestras. He received the Lancaster Symphony Composer of the Year Award 2009, as well as awards from The Copland Foundation and the Argosy Foundation, among others.  
In 2010 he was honored with two Latin Grammy nominations, for the CD “Salón Buenos Aires” (five chamber works on Bridge Records) and for the composition Clocks from that album. Other labels that have recorded his works include Naxos, Dorian, Telarc, New Albion, Albany, Centaur and Eroica. Aguila's 2014 Concierto en Tango for cello and orchestra, premiered and recorded by the Buffalo Philharmonic conducted by JoAnn Falletta, has seen numerous performances in the U.S. and Latin America. Versions for viola and orchestra, and also string quartet and orchestra are also available.
Web: http://www.peermusicclassical.com/composer/11900 (2016)