Zimmermann Bernd Alois (1918-1970)
Germany
Composer and music journalist, was born in Bliesheim (Köln) died in Köln.
English
Bernd Alois Zimmermann was born on 20 March 1918 in Bliesheim near Cologne. After 1937 he studied music at the Musikhochschulen in Cologne and Berlin as well as German and philosophy at the universities of Bonn, Cologne and Berlin. His most influential teachers of composition were Heinrich Lemacher and Philipp Jarnach in Cologne. From 1957 (being appointed professor in 1961) he taught composition and conducted a seminar in film, theatre and radio music at the Cologne Hochschule für Musik. He was a scholarship student at Villa Massimo in Rome in 1957 and 1963, received the “Großer Kunstpreis von Nordrhein-Westfalen” in 1960, was granted membership of the West Berlin Academy of Arts (1965), and was awarded the Prize of Arts of the City of Cologne in 1966.
Zimmermann's work covers compositions for orchestra (including a symphony, ballet music and concertos), his famous opera “Die Soldaten” and other vocal music, chamber music, solo works, as well as electronic music. The world premiere of his opera “Die Soldaten” (composed 1958-60 following the principles of “pluralistic sound composition) in Cologne in 1965 was a sensational success. Another well-known work is the “Requiem für einen jungen Dichter” (premièred in 1969 by the WDR Cologne). Though relatively few in number, the compositions of Zimmermann hold a key position in the history of post-war German music. He not only absorbed the disciplines of serialism and the rigours of the Darmstadt avant-garde, but also merged these influences with jazz and with quotations from earlier composers in a way that strikingly anticipates post-modern techniques. On 10 August 1970, in Königsdorf near Cologne, Zimmermann decided to put an end to his life.
Web: http://www.schott-english.com/nocache/smi_en/autoren/KomponistenAZ/2,d084cc0562c.html
Zimmermann's work covers compositions for orchestra (including a symphony, ballet music and concertos), his famous opera “Die Soldaten” and other vocal music, chamber music, solo works, as well as electronic music. The world premiere of his opera “Die Soldaten” (composed 1958-60 following the principles of “pluralistic sound composition) in Cologne in 1965 was a sensational success. Another well-known work is the “Requiem für einen jungen Dichter” (premièred in 1969 by the WDR Cologne). Though relatively few in number, the compositions of Zimmermann hold a key position in the history of post-war German music. He not only absorbed the disciplines of serialism and the rigours of the Darmstadt avant-garde, but also merged these influences with jazz and with quotations from earlier composers in a way that strikingly anticipates post-modern techniques. On 10 August 1970, in Königsdorf near Cologne, Zimmermann decided to put an end to his life.
Web: http://www.schott-english.com/nocache/smi_en/autoren/KomponistenAZ/2,d084cc0562c.html
Italiano
Bernd Alois Zimmermann è riconosciuto come uno dei compositori più importanti della seconda meta dei XX secolo. Appartenente ad una generazione la cui gioventù fu sacrificata dagli anni della guerra, è nato nel 1918 nei pressi di Colonia ed ha studiato all’Accademia di Musica di Colonia dal 1939. Dopo la guerra, incontra l’estetica seriale durante i corsi estivi di Darmstadt insieme a René Leibowitz e a Wolfgang Fortner. Dal 1950, è all’istituto di Musicologia dell’Università di Colonia. Diventa poi professore di composizione alla scuola superiore di musica della città renana. B.A. Zimmermann è dapprima influenzato da Hindemith, Stravinsky come pure dal jazz come lo testirnonia il Concerto per violino (1950). La Cantata Ommia Tempus Habent (1957) è segnata, nella scrittura di Zimmermann, dall’impatto dell’ultimo Webern. È con il suo immenso capolavoro, l’opera I soldati (1965), che il compositore raggiunge la sua piena misura nell’estrema scrittura seriale e attraverso la concretizzazione di un tempo sferico, unificante il passato, il presente ed il futuro, in una gigantesca tensione espressiva. Tra le sue opere maggiori, citiamo il Concerto per violoncello informa di (1965-1966) e L’Azione Ecclesiastica per due solisti, violoncello e orchestra terminata nel 1970, poco orima del suicidio dei compositore.
Composizioni (11)
| Titolo | Editore | Strumentazione | Anno |
|---|---|---|---|
| METAMORPHOSE (Music to the film of the same name by Michael Wolgensinger) | SCHOTT | orch* | 1954 |
| TRUMPET CONCERTO (Nobody knows the trouble I see) | SCHOTT | tr, orch* | 1954 |
| UN PETIT RIEN | SCHOTT | 3 fl, 3 perc, cel, clav, guit, strings | 1964 |
| MUSIQUE POUR LES SOUPERS DU ROI UBU [Ballet] | BÄRENREITER | 1966 | |
| «ICH WANDTE MICH UND SAH AN ALLES UNRECHT, DAS GESCHAH UNTER DER SONNE» | SCHOTT | 2 reciters, bas, orch* | 1970 |
| ALAGOANA (Caprichos Brasileiros) [Ballet] (1950/55) | SCHOTT | orch* | |
| CABOCLO [from ALGAOANA] (1950/55) | SCHOTT | orch* | |
| CONCERTO EN FORME DE «PAS DE TROIS» (1965/66) | SCHOTT | vnc, orch* | |
| DIALOGE (1960/65) | SCHOTT | 2 pno, orch* | |
| DIE SOLDATEN (Vocal symphony) (1957/63) | SCHOTT | ||
| DIE SOLDATEN [Opera] (1958/60 e 1963/64) | SCHOTT |