Guitar Catalog of the 20th and 21st Centuries

based on the original project by Vincenzo Pocci

rebooting by Cristiano Porqueddu

Cardoso Jorge (1949)

Argentina / España / More info in Enciclopedia de la Guitarra

Guitarist and composer, was born in Posadas.

English
(Posadas, Argentina, 1949)
Jorge Cardoso has given concerts in Argentine, Belgium, Chile, Costa Rica, Cuba, Czechoslovakia, Finland, France, Germany, Holland, Honduras, Italy, Japan, Luxembourg, Mexico, Morocco, Paraguay, Poland, Portugal, Spain, Sweden, Switzerland, Turkey , Ukraine United Kingdom and U.S.A., and frequently participates in international festivals and programs for radio and television.
He has composed over 350 works: suites and pieces for solo guitar; duets (two guitars, guitar and violin, guitar and harpsichord, guitar and flute); trio and quartets; string quartet; quintets (guitar and strings, guitar and wind instruments); concerts (for two guitars and strings, for guitar and orchestra); an orchestra for strings and songs for voice and guitar.
Other related works include his transcriptions and arrangements of works of South American folkloric character, of de Spanish Rennaisance and Baroque, and of other countries and periods. Many are performed regularly by guitarists throughout the world and several are included on recording by 100 performers.
He has lectured on classical guitar techniques, interpretation, Latin American Music, Baroque Music, and Music Composition at conferences, seminars and classes throughout France, Spain, Portugal, Belgium, Germany, Poland, Switzerland, Chile, Cuba, Costa Rica, Argentina, Morocco and Turquey.
He is the author of de book “The Science and Method of Guitar Technique”, edited in French (Les Editions Austreales), Japanese (Guitar Music) and Spanish (Universidad de Costa Rica),and traslated into English, German and Polish: and “Rhytmus and Musical Forms of South America (volume 1: Argentina, Paraguay and Uruguay) and RASGUEOS (Musical History from the 16th century to the present.
Mr. Cardoso is the ricipient of the highest awards at various competitions and festivals, including the Primer Festival de la Música Litoraleña (Posadas, 1963); VII. Festival Nacional del Folklore (Cosquín, 1966); Cuarto Concurso Nacional de Compo sición (Salta, 1961) and II. Concurso Internacional de Guitarra Clásica (Morón, Buenos Aires, 1973).
In addition to credits as a concert guitarist, composer and musicologist, Jorge Cardoso is also medical doctor at the National University of Córdoba Argentina, (1973). He is also the founder and director of the ORQUESTA DE CAMARA DE GUITARRAS DE MADRID and the Director of Alsace, Lambesc, Beauvezer (France), Festival Iberoamericano de Guitarra of Maroc (Instituto Cervantes) and Posadas (Argentina) Internationals Guitar Festivals. Jorge Cardoso is president of GUIA (Guitarristas de América), international organization dedicated to the diffusion of the music of Americas. He has graduated in the Royal Conservatoire of Music of Madrid.
Web: http://monsite.wanadoo.fr/jorgecardoso/page6.html
Español
Concertista, compositor, investigador y médico (Univ. Nacional de Córdoba, Argentina,1973), fue fundador y director de la ORQUESTA DE CAMARA DE GUITARRAS DE MADRID. Es director artístico de los festivales internacionales de guitarra de Alsacia (Francia) y Posadas (Argentina), presidente de GUIA (Guitarristas de América), organización intemacional dedicada a la difusión de la música de las tres Américas y profesor superior de guitarra (Real Conservatorio de Música de Madrid). Dicta clases de Técnica, Interpretación, Música suramericana Música barroca y Composición, y participa asiduamente como profesor o conferencista en cursos, congresos y seminarios en Francia, España, Portugal, Bélgica, Alemania, Polonia, Suecia, Chile, Cuba, Costa Rica, Argentina, Marruecos, Turquía, etc.
Ha dado conciertos en Alemania, Argentina, Austria, Bélgica, Chile, Costa Rica, Cuba, Checoslovaquia, España, E.E.U.U. (Carnegie Hall), Francia, Holanda, Honduras, Italia, Japón, Marruecos, Paraguay, Polonia, Portugal, Suecia, Suiza, Turquía y Ukrania, participando habitualmente en encuentros y festivales internacionales y en programas de radio y T-V.
Fueron sus profesores: Hermelinda A. de Odonetto (danzas folklóricas); Lucas B. Areco y Ma. H. Antola de Gómez Crespo (guitarra), y Javier Hinojosa (música antigua).

Composizioni (113)

TitoloEditoreStrumentazioneAnno
LAMENTO CAINGUA non pubblicata guit, fl, ob, clar, bn
LILIANA D'OZ 3 guit
MARIQUILLA non pubblicata
MBARAKAPÚ non pubblicata 3 guit, orch
MILONGA [da VENTICUATRO PIEZAS SUDAMERICANAS] SOLO GUITAR SOCIETY
MILONGA [da VENTICUATRO PIEZAS SUDAMERICANAS] (version for 2 guit) russian publication
PALA-PALA non pubblicata
PARA JOSÉ MARTÍ (takirari) non pubblicata voice, guit
PARA UNE FLETE D'OZ
PERICÓN non pubblicata
PÓKER DE ASES (Tango) non pubblicata 4 guit
POLCA PARAGUAYA [in 9 TRIOS PARA GUITARRA] |2'20| LATINOAMERICANA 3 guit
PREGUIÇOSO (Choro) [in 9 TRIOS PARA GUITARRA] LATINOAMERICANA 3 guit
PRELUDIO non pubblicata
PRELUDIO N.4 [in 20TH ANNIVERSARY EDITION] D'OZ
PRELUDIO Y DANZA N.1 (preludio y aire de vidala chayera) D'OZ
PRELUDIO Y DANZA N.2 (vidala y chacarera trunca) D'OZ
PRELUDIO Y DANZA N.3 (tonada y gato) D'OZ
PRELUDIO Y DANZA N.4 (preludio y vals-bossa) D'OZ
PRELUDIO Y DANZA N.5 (guarania y polca) D'OZ
SAMBA D'OURO [in 9 TRIOS PARA GUITARRA] LATINOAMERICANA 3 guit
SUITE DE LOS MITÁ-I (48 pezzi) LA TUCURA
SUITE DE LOS MITÁ-I (48 pezzi) PROFESSIONAL MUSIC PRESS
SUITE DEL LITORAL (Abusete, Senemaite, Atulei, Brota un lamento Sentido, Al compas as de la Vidüela, Meticuloso) non pubblicata fl, guit
SUITE INDIANA non pubblicata 2 guit, str-orch
SUITE LITORALEÑA (1970/71): 1 PRELUDIO AUSTRÉALES
SUITE LITORALEÑA (1970/71): 2 RASGUIDO DOBLE AUSTRÉALES
SUITE LITORALEÑA (1970/71): 3 SERENATA AUSTRÉALES
SUITE LITORALEÑA (1970/71): 4 CHAMARRITA AUSTRÉALES
SUITE LITORALEÑA (1970/71): 5 CHAMAMÉ AUSTRÉALES
SUITE LITORALEÑA (1970/71): 6 GALOPA AUSTRÉALES
SUITE LITORALEÑA (1970/71): 7 VALSEADO AUSTRÉALES
SUITE MISIONERA (1968/70) non pubblicata
SUITE PAMPEANA non pubblicata guit, pno
SUITE POPULAR N.3 SUDAMERICANA (1971/80) CASA DE LA GUITARRA
SUITE POPULAR N.3 «SUDAMERICANA» (1971/80) (Completa) UME
SUITE POPULAR N.3 «SUDAMERICANA» (1971/80): 1 PRELUDIO (Bolivia) |3'10| UME
SUITE POPULAR N.3 «SUDAMERICANA» (1971/80): 10 VALS VENEZOLANO (Venezuela) [in «MUSICA DEI POPOLI DEL MONDO»] |3'10| russian publication
SUITE POPULAR N.3 «SUDAMERICANA» (1971/80): 10 VALS VENEZOLANO (Venezuela) |3'10| UME
SUITE POPULAR N.3 «SUDAMERICANA» (1971/80): 2 VALS PERUANO (Perú) |3'15| UME
SUITE POPULAR N.3 «SUDAMERICANA» (1971/80): 3 CANCIÓN (Chile) |4'30| UME
SUITE POPULAR N.3 «SUDAMERICANA» (1971/80): 4 GUARANÍA (Paraguay) |4'10| UME
SUITE POPULAR N.3 «SUDAMERICANA» (1971/80): 5 TEMA NEGRO (Brasil) |3'10| UME
SUITE POPULAR N.3 «SUDAMERICANA» (1971/80): 6 AIRES DE ZAMBA Y HUELLA (Argentina) UME
SUITE POPULAR N.3 «SUDAMERICANA» (1971/80): 7 PASILLO (Colombia) |2'50| UME
SUITE POPULAR N.3 «SUDAMERICANA» (1971/80): 8 FANTASÍA (Ecuador) |7'50| UME
SUITE POPULAR N.3 «SUDAMERICANA» (1971/80): 9 AIRE DE MILONGA (Uruguay) [in «MUSICA DEI POPOLI DEL MONDO»] |4'30| russian publication
SUITE POPULAR N.3 «SUDAMERICANA» (1971/80): 9 AIRE DE MILONGA (Uruguay) |4'30| UME
SUITE POPULAR N.4 «PORTEÑA» (Canción, Tango, Vals, Milonga, Porteña) GUITAR MUSIC 2 guit
TANGO LATINOAMERICANA 3 guit

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