Guitar Catalog of the 20th and 21st Centuries

based on the original project by Vincenzo Pocci

rebooting by Cristiano Porqueddu

Ferrer José (1835-1916)

España

Guitarist and composer, was born in Torroella de Montgri (Gerona), died in Barcellona.

English
Josep Ferrer Esteve de Pujadas was born in Torroella de Montgri, in the province of Gerona, on 13th March 1835. His first musical instruction came from his father, a lawyer, music collector and guitarist. In 1860 he moved to Barcelona where he continued his studies with José Broca. Shortly after Broca's death in 1882 he went to Paris, staying there for sixteen years. He was guitarist at the Comedie Française in 1882 and then he then held several positions including teaching posts at the Institut Rudy and the Academic Internationale de Musique. In addition to his teaching Ferrer performed regularly and made periodic trips to Barcelona, during which he stayed with his great friend Domingo Bonet. In 1898 he returned to Barcelona occupying the post of professor of guitar at the Conservatorio del Liceo. It was during this three year period that Domingo Prat became a close aquaintance and it is from him that most of our information about Ferrer is gained. He visited Paris again, mainly it would seem, to complete and publish his Methodo. However it remained unpublished when he finally returned to Barcelona in 1905 where he lived until his death in 1916. Ferrer was a deeply religious man whose output of over 100 works included sacred music as well as guitar solos, duos and music for guitar and piano, guitar and flute, etc. He also wrote a history of the guitar which appeared in Mundo Grafico, Madrid. About 50 of his works were published mainly by Vidal of Barcelona, Dupont and Pisa of Paris, and latterly, Union Musical Espanola of Madrid. His unpublished Methodo with its studies, exercises and detailed text shows his great knowledge and understanding of the guitar's history and technique. It also demonstrates, as do these two duets, his great ability to write attractive and idiomatic music for the guitar which is of interest to both students and more advanced players. (David Burden, 1992 – Introduction Minuet & Vals, Chanterelle Verlag, 1992)
Note: Biographical details of Ferrer are very sparse and the information in this introduction is drawn from his entries in Domingo Prat's Diccionario de Guitarristas (Buenos Aires, 1934) [Reprinted by Editions Orphee, Columbus, Ohio, 1986] and Philip Bones' The Guitar and Mandolin (London, 1954).

Composizioni (165)

TitoloEditoreStrumentazioneAnno
QUEJAS DE MI LIRA (vals) Op.2 VIDAL Y ROGER 1873
RECUERDOS DE MONTGRÍ (capricho) Op.1 VIDAL Y ROGER 1873
CUATRO PIEZAS PROGRESIVAS Op.4 VIDAL Y ROGER 1876
FANTASÍA CON VARIACIONES (sobre un tema de Beriot) Op.3 VIDAL Y ROGER 1876
FANTASÍA CON VARIACIONES (sobre un tema de Beriot) Op.3 [in MÚSICA IBÉRICA. SPANISCHE GITARRENMUSIK DES 19. JH. Vol.1] DOBLINGER 1876
FANTASÍA SOBRE MOTIVOS DE LA OPERA «LUCREZIA BORGIA» non pubblicata 1878
VALS CHANTERELLE 2 guit 1879
COLECCIÓN 1ª. Estudios non pubblicata 1880
FANTASÍA SOBRE MOTIVOS DE LA OPERA «FAVORITA» non pubblicata 2 guit 1881
MINUÉ CHANTERELLE 2 guit 1881
DE NOCHE EN EL LAGO (fantasía con variaciones) Op.14 VIDAL Y ROGER 1882
DE NOCHE EN EL LAGO (fantasía con variaciones) Op.14 [in MÚSICA IBÉRICA. SPANISCHE GITARRENMUSIK DES 19. JH. Vol.1] DOBLINGER 1882
DOCE MINUES Op.12 VIDAL Y ROGER 1882
DOS NOCTURNOS Op.11 VIDAL Y ROGER 1882
DOS NOCTURNOS Op.11 [in MÚSICA IBÉRICA. SPANISCHE GITARRENMUSIK DES 19. JH. Vol.1] DOBLINGER 1882
ELEGÍA FÁNTASTICA Op.13 VIDAL Y ROGER 1882
MELODÍA [in CHARME DE LA NUIT (edited by Simon Wynberg)] FABER 1882
FANTASÍA SOBRE MOTIVOS DE LA OPERA «LA TRAVIATA» non pubblicata 2 guit 1884
COLECCIÓN 4ª. Ejercicios non pubblicata 1886
ESTUDIO non pubblicata 1886
BOLERO Op.39 PISA 2 guit 1898
BOLERO Op.39 PISA pno, guit 1898
BRISE D'ESPAGNE (valse caractéristique) Op.37 PISA 1898
CHARME DE LA NUIT (nocturne) Op.36 PISA 1898
LA DANSE DES NAÏADES (mazurka) Op.35 BÈRBEN EDIZIONI MUSICALI 1898
LA DANSE DES NAÏADES (mazurka) Op.35 PISA 1898
PENSÉES MÉLODIQUES (quatre pièces) Op.38 PISA 1898
SOUVENIRS D'ANTAN (six menuets) Op.40 PISA 1898
GERBE DE FLEURS (quatre pièces faciles) Op.41 PISA 1903
TROIS MÉLODIES Op.42 PISA 1903
CANTO DEL BARDO (capricho) Op.48 DOTESIO 1906
MINUÉ Op.49 DOTESIO 1906
SOLILOQUIO (nocturno) Op.46 DOTESIO 1906
URANIA (nocturno) Op.47 DOTESIO 1906
BALADA Op.59 BIBLIOTECA FORTEA 1909
LA AUSENCIA (andante sentimental) Op.61 IL PLETTRO 1910
LA AUSENCIA (andante sentimental) Op.61 [in 24 ALBUM CON SCELTE COMPOSIZIONI DI AUTORI ANTICHI E MODERNI: Prima serie 4° Album] VIZZARI 1910
INQUIETUD Op.55 [57] [in ALBUM OF MODERN SPANISH COMPOSERS] KALMUS 1911
INQUIETUD Op.57 BIBLIOTECA FORTEA 1911
MISIVA AFECTUOSA Op.58 BIBLIOTECA FORTEA 1911
SERENATA ESPAÑOLA Op.63 BIBLIOTECA FORTEA 1911
SERENATA ESPAÑOLA Op.63 [in ALBUM OF MODERN SPANISH COMPOSERS] KALMUS 1911
SERENATA ESPAÑOLA Op.63 [in EXCELLENT GUITAR PIECES FOR STAGE PERFORMANCE] GENDAI GUITAR 1911
BARCAROLA Op.54 UME 1912
BARCAROLA Op.54 DOTESIO 1912
COLECCIÓN 2ª. Colección de ejercicios non pubblicata 1912
CUATRO PIEZAS FACILES Op.50 DOTESIO 1912
EL GONDOLERO (melodía) Op.51 DOTESIO 1912
LA MASCARITA (mazurka) Op.52 DOTESIO 1912
SINCERIDAD (melodía-vals) Op.53 DOTESIO 1912

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