Guitar Catalog of the 20th and 21st Centuries

based on the original project by Vincenzo Pocci

rebooting by Cristiano Porqueddu

Ferrer José (1835-1916)

España

Guitarist and composer, was born in Torroella de Montgri (Gerona), died in Barcellona.

English
Josep Ferrer Esteve de Pujadas was born in Torroella de Montgri, in the province of Gerona, on 13th March 1835. His first musical instruction came from his father, a lawyer, music collector and guitarist. In 1860 he moved to Barcelona where he continued his studies with José Broca. Shortly after Broca's death in 1882 he went to Paris, staying there for sixteen years. He was guitarist at the Comedie Française in 1882 and then he then held several positions including teaching posts at the Institut Rudy and the Academic Internationale de Musique. In addition to his teaching Ferrer performed regularly and made periodic trips to Barcelona, during which he stayed with his great friend Domingo Bonet. In 1898 he returned to Barcelona occupying the post of professor of guitar at the Conservatorio del Liceo. It was during this three year period that Domingo Prat became a close aquaintance and it is from him that most of our information about Ferrer is gained. He visited Paris again, mainly it would seem, to complete and publish his Methodo. However it remained unpublished when he finally returned to Barcelona in 1905 where he lived until his death in 1916. Ferrer was a deeply religious man whose output of over 100 works included sacred music as well as guitar solos, duos and music for guitar and piano, guitar and flute, etc. He also wrote a history of the guitar which appeared in Mundo Grafico, Madrid. About 50 of his works were published mainly by Vidal of Barcelona, Dupont and Pisa of Paris, and latterly, Union Musical Espanola of Madrid. His unpublished Methodo with its studies, exercises and detailed text shows his great knowledge and understanding of the guitar's history and technique. It also demonstrates, as do these two duets, his great ability to write attractive and idiomatic music for the guitar which is of interest to both students and more advanced players. (David Burden, 1992 – Introduction Minuet & Vals, Chanterelle Verlag, 1992)
Note: Biographical details of Ferrer are very sparse and the information in this introduction is drawn from his entries in Domingo Prat's Diccionario de Guitarristas (Buenos Aires, 1934) [Reprinted by Editions Orphee, Columbus, Ohio, 1986] and Philip Bones' The Guitar and Mandolin (London, 1954).

Composizioni (165)

TitoloEditoreStrumentazioneAnno
EL AMABLE [n.14 from COLECCIÓN 8ª de Ejercicios y Preludios] [in GUITAR CONCERT COLLECTION (editor Konrad Ragossnig)] SCHOTT
EL RAMILETTE (diez pequeñas piezas) Op.5 (1874/75) VIDAL Y ROGER
EL TALISMÁN (vals) Op.7 (1878/79) VIDAL Y ROGER
ESTUDIO [from COLECCIÓN 4ª. Estudios] [in CHARME DE LA NUIT (edited by Simon Wynberg)] FABER
ESTUDIO [in REPERTOIRE AND STUDIES Album 6 (3th Edition)] HARRIS
FEUILLES DE PRINTEMPS (six pièces faciles) Op.27 (1890/97) DUPONT
HORAS APACIBLES (ocho piezas fáciles) Op.8 (1878/79) VIDAL Y ROGER
HORAS APACIBLES (ocho piezas fáciles) Op.8 (1878/79) [in MÚSICA IBÉRICA. SPANISCHE GITARRENMUSIK DES 19. JH. Vol.1] DOBLINGER
IMPRESIONES JUVENILES (vals brillante) Op.18 (1882/85) VIDAL Y ROGER
IMPRESIONES JUVENILES (vals brillante) Op.18 (1882/85) [in MÚSICA IBÉRICA. SPANISCHE GITARRENMUSIK DES 19. JH. Vol.1] DOBLINGER
JOTA ARAGONESA non pubblicata
L'ETUDIANT DE SALAMANQUE (tango-valse) Op.31 (1897/98) PISA
L'ÉTUDIANT DE SALAMANQUE Op.31 [in CHARME DE LA NUIT (edited by Simon Wynberg)] FABER
LA DANSE DES NAÏADES (mazurka) Op.35 [in EXCELLENT GUITAR PIECES FOR STAGE PERFORMANCE] GENDAI GUITAR
LA DANSE DES NAÏADES Op.35 [in CHARME DE LA NUIT (edited by Simon Wynberg)] FABER
LA GALLEGATA (fantasía pastoril con variaciones) Op.15 (1882/85) VIDAL Y ROGER
LA GALLEGATA (fantasía pastoril con variaciones) Op.15 (a cura di Vicente Gascon) (1882/85) RICORDI AMERICANA
LARGHETTO [in THE GUITARIST'S PROGRESS. Book 3] GARDEN MUSIC
LES SIRÈNES (valse) Op.26 (1885/90) PISA banjo, guit / 2 guit
LES SOUPIRS (valse du concert) Op.33 (1897/98) PISA
LOS ENCANTOS DE PARÍS (capricho fántastico) Op.16 (1882/85) VIDAL Y ROGER
MARCHA [n.7 from COLECCIÓN 5ª. Ejercicios] [in THE GUITARIST'S PROGRESS. Book 3] GARDEN MUSIC
MAZURCA [in SPANISH FAVORITES FOR CLASSIC GUITAR] COLUMBIA
MAZURKA BIBLIOTECA FORTEA 2 guit
MAZURKA [in THREE DANCES] COLUMBIA
MÉLANCOLIE (nocturne) Op.23 (1885/90) PISA fl, guit & 2 guit
MÉLANCOLIE (nocturne) Op.23 (1885/90) PISA fl, guit & 2 guit
MELODÍA DE BAJOS EN SONIDOS HARMONICOS POR FERRER non pubblicata
MINUET [in THREE DANCES] COLUMBIA
MINUETO [in SPANISH FAVORITES FOR CLASSIC GUITAR] COLUMBIA
NOSTALGIA [from COLECCIÓN 4ª. Estudios] [in CHARME DE LA NUIT (edited by Simon Wynberg)] FABER
PENSÉES DU SOIR (Nocturne) Op.44 (1901/4) PISA
PENSÉES DU SOIR (Nocturne) Op.44 (1901/4) SEICORDE
POLKA [n.10 from COLECCIÓN 6ª de Ejercicios] [from THE GUITARIST'S PROGRESS. Book 2] GARDEN MUSIC
POLONESA Op.10 (1878/79) VIDAL Y ROGER
PRELUDIOS non pubblicata
RÉCITS CHAMPÊTRES (tres mélodies) Op.30 (1890/97) DUPONT
RÉSIGNATION (andante) Op.28 (1890/97) DUPONT
RÊVE DU POÈTE Op.43 (1901/4) PISA
ROMANCE SANS PAROLES Op.23 [in GUITAR CONCERT COLLECTION (editor Konrad Ragossnig)] SCHOTT
SERENADE ESPAGNOLE Op.34 (1897/98) PISA 2 guit
SERENATA [in SPANISH FAVORITES FOR CLASSIC GUITAR] COLUMBIA
SICILIANA [n.10 from COLECCIÓN 7ª de Ejercicios] [in THE GUITARIST'S PROGRESS. Book 2] GARDEN MUSIC
SOUVENIR DU QUINZE AOÛT (romance sans paroles) Op.25 (1885/90) PISA
TANGO N.1 [from DOS TANGOS Op.19] CLASSICAL GUITAR
TANGO Op.19 N.1 [in EXCELLENT GUITAR PIECES FOR STAGE PERFORMANCE] GENDAI GUITAR
TANGO Op.50 N.3 [in EXCELLENT GUITAR PIECES FOR STAGE PERFORMANCE] GENDAI GUITAR
TANGO Op.50 N.3 [in GUITAR CONCERT COLLECTION (editor Konrad Ragossnig)] SCHOTT
TANGO [in SPANISH FAVORITES FOR CLASSIC GUITAR] COLUMBIA
TANGO [in THREE DANCES] COLUMBIA

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